Back from Hi-Ex and finally getting round to sorting myself out. First off the next time I’ll be at a con will be in May, at the Bristol Event. Hotel booked and everything. Check out the pic on the right hand side.
Hi-Ex was great fun, always a pleasure for me to be there as it is perhaps my favourite gig in the country. It was great to meet up with old friends and make new one’s too.
Whilst there though I had a bit of a revelation. I’m a bit of a soft touch on the whole- I’m a fairly easy going kind of guy, so I tend to bend over a bit more than I should as far as strips are concerned. When it comes to scripts it is much easier to be tough- as there are a team of script readers who will all be aiming for the highest level of quality, after all entire strips will stand or fall on the quality of the scripts. I like to think that the team at FQP, as well as Dogbreath & Zarjaz, is pretty hot at sorting strong scripts.
It is the Artists that I need to push more. Most of the artists involved in the titles I produce are of a level where they are polishing their craft ready to approach publishers (I’m not going to put any names in this, just not fair) but there are some that need to be pushed a little harder. This is not a judgement on their drawing ability, not at all- it is mainly to apply the same harsh standards we use for scripts to art. I’m going to start asking for more re-working of panels, and where possible I would like to be able to get hold of a set of pencilled pages for strips so that I can pass judgement before ink is put to paper.
After all, the artists providing the work want to reach a standard where they can approach professional editors and gain paid work- so if I let them submit art that I feel needs work I am letting them down.
Therefore if you are an artist working on a strip for me and I tell you that there is something I want you to change- I’m not being awkward for the sake of it- I genuinely want you to submit artwork that knocks me out. I may be called SMALL PRESS, but that doesn’t mean we have to have small standards.
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2 comments:
Amen. I like the way you're thinking.
That's how most of my artists work anyway. They'll send me their roughs before they go ahead. So if things don't look right it's most likely down to me!
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